Combination of Patterns in the Architecture of Historical House; Case Study: Sadeqi’s House in Lahijan City

Document Type : Original Article

Authors

1 Assistant Professor of Architecture, Faculty of Art and Architecture, University of Science and Culture, Rasht Branch, Iran

2 Professor of Art, Faculty of Arts, Alzahra University, Tehran, Iran

Abstract

Before Qajar era, the vernacular architecture was widely used in Gilan with totally climatic approach.  Current methods were completely changed by the arrival of Qajar architecture, which was a combination of imported architecture and previous architectural style. It is important to say that the Iranian architect tries to find local elements in the process of building and so it helped him to persist Gilan’s vernacular climatic architecture approach. In the other words, how and to what extent did vernacular climatic approaches and imported elements affect the process of building and building itself? The main question of this research is as the following: Was the combination of the patterns in conformity with residents’ needs? This issue is very important especially in the process of documentation of historical buildings, which indicates the necessity of keeping ancient and valuable architectural works as well as its conformity with the current architecture of the region to achieve sustainable patterns in construction. One of the most important findings of the current research is the combination of the two climatic and stylistic approaches in the architecture of Sadeqi’s House. Studying the architectural elements in this building show that instead of being completely influenced by a type of architecture including numerous signs of richness and pride, combination of  Gilan’s climatic architecture and the imported architecture was used in this building.

Keywords


Chehrazi, Gh. (2015). A Comparative Study of the Architecture of Safavid and Qajar Houses in Isfahan. 3rd International Congress of Civil, Architecture and Urban Development, Tehran: Shahid Beheshti University. https://www.civilica.com/Paper-ICSAU03-ICSAU03_1137.html
Farasati, R. (2002). Rasht City Map in 1287 Lunar. Journal of Asar, 33 - 34, 351 – 356.
Haghparast, F., Mazloum Borhan, Sh., & Pirbabai, H. (2015). Mutual Impact of the Religious Music and Architecture of Qajar Era in the Evolution of the Islamic Collective Spaces, Case Study: Tehran Tekye Dowlat. Journal of Naghshe Jahan, 3, 43-50. https://bsnt.modares.ac.ir/article-2-6806-fa.html
Kasmaei, M. (1984). Climate and Architecture, Tehran: Khak Publishing.
Khakpour, M. (2013). The Identification of Holy Mausoleum of Lahijan. Journal of Islamic Iranian Studies, 13, 92-82. https://www.sid.ir/en/journal/ViewPaper.aspx?id=486335
Khakpour, M. (2014). Rehabilitation Plan for Rahmat Samiei’s Mansion (Talesh Khan) in Rasht. First National Conference on Sustainable Development in Geography, Planning, Architecture and Urban Planning. Tehran. Iran.
Khakpour, M. (2016). Guilan Architecture in the Safavid era. National Conference of Guilan in the Safavid era. Rasht, Iran.
Khakpour, M. (2017). Architectural Patterns of Islamic Tombs of Iran in Guilan. Doctoral Thesis, Department of Art Research, Faculty of Art. Al-Zahra University.
Khakpour, M. (2017). Aghadar: A Belief of Revering Trees in Gilan. Art and Humanities Open Access Journal, 1(2), eISSN: 2577-8250. https://medcraveonline.com/AHOAJ/aghadar-a-belief-of-revering-trees-in-gilan.html 
Rabino, H.L. (2003). Le Monastère de Sainte-catherine du Mont Sinaï. (J. Khamamizadeh, Trans.). Rasht: Taati Publications, Iran.