معماری و شهرسازی آرمان شهر

معماری و شهرسازی آرمان شهر

نقش خاطره‌های شهری بر حس تعلق شهروندان و تاثیر آن در حفظ آثار ارزشمند معماری معاصر، مورد مطالعاتی: پهنه‌های هم‌جوار سینماهای تهران

نوع مقاله : مقاله پژوهشی

نویسنده
استادیار، گروه معماری، دانشکده معماری و شهرسازی، واحد تهران مرکزی، دانشگاه آزاد اسلامی، تهران، ایران (نویسنده مسئول).
10.22034/aaud.2023.330994.2627
چکیده
تماشاخانه‌ها و سالن‌های سینما از مراکز مهم فرهنگی در شهر تهران به شمار می‌آیند که ضمن تاثیر بر روابط اجتماعی، خانوادگی و فرهنگی شهروندان، بخشی از تاریخ و هویت فرهنگی و اجتماعی شهر محسوب می‌شوند. در سال‌های اخیر، از یک سو تغییر در اقتصاد سینما و تغییر در رفتار مصرف فرهنگی شهروندان، و فرسودگی سالن‌های نمایش فیلم از سوی دیگر، باعث تعطیلی برخی از سالن‌های نام‌آشنای سینمای ایران شده است. تخریب ساختمان‌های ارزشمند سینماهای تهران و تبدیل آن‌ها به کاربری‌های سودآور اقتصادی مانند پاساژ و مجتمع تجاری، خطری است که حفظ این بخش از میراث معماری معاصر ایران را تهدید می‌کند. هدف از این پژوهش بحث در ظرفیت‌های شبکه‌های اجتماعی برای بسیج افکار عمومی در جهت تلاش برای پاس‌داشت این آثار معماری معاصر ایران است. دستاوردهای پژوهش نشان می‌دهد که سه متغیر «هویت مکان»، «دلبستگی به مکان» و «فعالیت شبکه‌ای» در تعامل با یکدیگر قرار دارند. افرادی که حتی دلبستگی به مکان در آن‌ها کم است و یا درک دقیقی از متغیر هویت مکان ندارند، به دلیل حضور در شبکه‌های اجتماعی و گروه‌های فعال در حوزه سینما و معماری، حاضرند در کارزارهای حفاظت از میراث فرهنگی شرکت کنند. حضور در شبکه‌هایی اجتماعی که اخبار سینمای ایران و جهان را نشر می‌دهد؛ در کنار علاقه‌مندی به شبکه‌هایی اجتماعی که به حفظ بناهای ارزشمند میراث معماری معاصر ایران علاقه‌مندند، عاملی در جهت تلاش افراد برای حفظ ساختمان سینماهای موجود در تهران است. ظرفیت شبکه‌های اجتماعی در هماهنگ‌سازی ظرفیت علاقه‌مندان هنر و معماری، عاملی در جهت حفظ این بناهای فرهنگی و تاریخی است.
کلیدواژه‌ها

عنوان مقاله English

The Role of Urban Memories in Citizens’ Sense of Belonging and its Effect on Preserving Valuable Contemporary Architectural Monuments; Case Study: Neighboring Zones of Cinemas in Tehran

نویسنده English

Mohammad Reza Pourzaagar
Assistant Professor, Department of Architecture, Faculty of Architecture and Urban Planning, Central Tehran Branch, Islamic Azad University, Tehran, Iran (Corresponding Author).
چکیده English

Cinema and theater halls are among the important cultural centers in Tehran, which not only influence on social, familial, and cultural relationships of citizens but also account for a major part of the cultural and social history and identity of the city. Variations in the economy of cinema and cultural consumption behavior change in citizens on the one hand, and deteriorated theater and cinemas on the other hand have led to the closure of some famous cinemas in Iran over recent years. Destruction of valuable buildings of cinemas in Tehran and converting them to profitable uses, such as business complex and passage cause a risk that threatens preservation of this contemporary architecture heritage of Iran. This study aims to discuss the potential of social media for mobilizing public opinion to protect these contemporary architectural works of Iran. The research results show that three variables of “place identity,” “place attachment,” and “network activity” interact with each other. Due to their presence in social networks and active groups in the field of cinema and architecture, even those individuals whose place attachment is low or do not have an accurate perception of place identity are willing to participate in cultural heritage protection campaigns. Being a member of the social networks that publish the news of Iran and world cinema, and interest in social networks that tend to preserve precious monuments of contemporary architectural heritage in Iran are the factors making people try to preserve existing cinema buildings in Tehran. The potential of social networks for coordinating the capacity of art and architecture enthusiasts is a factor that contributes to the preservation of these cultural and historical buildings.

کلیدواژه‌ها English

Cultural Development
Contemporary Architecture
Cultural Heritage
Cultural Consumption
Cinema Industry
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دوره 16، شماره 45
زمستان 1402
صفحه 59-71

  • تاریخ دریافت 03 اسفند 1400
  • تاریخ بازنگری 11 تیر 1401
  • تاریخ پذیرش 13 مرداد 1401